Michael Dellaira The music of Michael Dellaira

Nobody

Commissioned in 2011 by the Syracuse Vocal Ensemble, Robert Cowles, artistic director,  Nobody had its world premiere on March 3 & 4, 2012 in Syracuse, New York. Robert Cowles conducted, and Anna Peterson Stearns was oboist.

Score available through American Composers Alliance (BMI)

Syracuse Vocal Ensemble, 2011

NAS-Postcard-14-15-3

On May 28, 2015 The New Amsterdam Singers gave the New York City Premiere at St. Ignatius of Antioch Episcopal Church, 554 West End Ave.

Listen to their performance of Nobody:

 

In her review of the concert in The New York Times, Vivian Schweitzer wrote“Mr. Dellaira set his engaging, vividly scored “Nobody” to Emily Dickinson’s poem “I’m Nobody! Who Are You?”   The oboe provided a dramatic underscoring for the increasing urgency of the word ‘nobody,’ a connecting theme in the piece.” 

 

—————————————————————–

PROGRAM NOTE

NOBODY – Program notes
“I’m Nobody! Who are you?” So begins one of Emily Dickinson’s best-known poems. Though her question is rhetorical, it’s hard not to detect in these words just a touch of sarcasm. And who can tell if she’s being straight with us later in the poem when she says, “how dreary, to be Somebody.”
Nobody is based on four of Dickinson’s poems, each containing the word “nobody.” In “Have you got a Brook in your little heart?” Dickinson tells us “nobody knows that any brook is there”, and yet describes the brook as only someone who knows it can. Is the brook known only to her? She’s certainly not, then, a nobody.
In “On such a night,” Dickinson again reflects on what nobodys we are, noting how quietly each of us passes from existence, without fanfare, so quiet “that nobody might know.” And in the poem “When they come back – if Blossoms do”, Dickinson asks what tomorrow brings. Will she see it? And will anybody care?
This is heady, if gloomy, stuff. Yet Dickinson’s language (note, for example, the way she plays off “nobody” with the words “anybody” and “somebody”) and her rhythms are as disarmingly direct as a folk song. That’s partly why I’ve tried to infuse the sensibility of folk music into each of the four sections.
The chorus is, as ever, our window into humanity. You, me, the person next to you, the crowd: a collection of anybodys and somebodys — and nobodys. Then there’s the oboe, who, like Dickinson herself, keeps a slight distance from the crowd (her claim to being nobody, notwithstanding.) Like her, the oboe is the keen observer, answering questions we didn’t realize we’ve asked. (And by the way, it’s hard to say “nobody” without hearing the faint echo of the word “oboe.”)
Commissioned by The Syracuse Vocal Ensemble, Nobody is inspired by White Heat, Brenda Wineapple’s moving book about the friendship of Emily Dickinson and Thomas Wentworth Higginson. My thanks to The New Amsterdam Singers and Clara Longstreth for this New York City premiere of Nobody and for their many suggestions and corrections along the way; I echo Ms. Dickinson’s reply to Mr. Higginson, after he’d edited some of her poems: “Thank you for the surgery. It was not so painful as I supposed.”
Michael Dellaira

The Poems

I’m Nobody! Who are you?

Are you – Nobody – too?

Then there’s a pair of us!

Don’t tell!  they’d advertise – you know!

How dreary – to be – Somebody!

How public – like a Frog –

To tell one’s name – the livelong June –

To an admiring Bog!

—————————————

Have you got a Brook in your little heart,

Where bashful flowers blow,

And blushing birds go down to drink –

And shadows tremble so –

 

And nobody knows, so still it flows,

That any brook is there,

And yet your little draught of life

Is daily drunken there –

Why – look out for the little brook in March,

When the rivers overflow,

And the snows come hurrying from the hills,

And the bridges often go –

And later, in August it may be,

When the meadows parching lie,

Beware, lest this little brook of life,

Some burning noon go dry!

—————————————-

When they come back – If Blossoms do –

I always feel a doubt

If Blossoms can be born again

When once the Art is out –

When they begin, if Robins may,

I always had a fear

I did not tell, it was their last Experiment

Last Year,

When it is May, if May return,

Had nobody a pang

Lest in a Face so beautiful

He might not look again?

If I am there – One does not know

What Party – One may be

Tomorrow, but if I am there

I take back all I say –

————————————-

On such a night, or such a night,

Would anybody care

If such a little figure

Slipped quiet from it’s chair,

So quiet –  Oh how quiet,

That nobody might know

But that the little figure

Rocked softer – to and fro –

On such a dawn, or such a dawn –

Would anybody sigh

That such a little figure

Too sound asleep did lie

For Chanticleer to wake it –

Or stirring house below –

Or giddy bird in Orchard –

Or early task to do?

There was a little figure plump

For every little knoll,

Busy needles, and spools of thread –

And trudging feet from school –

Playmates, and holidays, and nuts –

And visions vast and small.

Strange that the feet so precious charged

Should reach so small a goal!